I wasn't feeling well for several days, and it was a kind of not-well that meant I was more comfortable in my recliner than in a desk or dining room chair, so I spent a lot of time reading. [No medical advice please: I'm feeling quite a bit better, and also have an appointment with my doctor on Thursday.]

Books I've finished since my last post:

Drunk on All Your Strange New Words by Eddie Robson: This is a mystery/science fiction novel, and the viewpoint character works as a translator for an extraterrestrial cultural attache in Manhattan. Read more... )

The Dawn of Everything: a new history of humanity, by David Graeber and David Wengrow. The authors have taken on a very large project, which they realize, having started with the question "what was the origin of inequality?" and then decided that it was the wrong question, in two or three different directions.

Read more... )

Dead Man's Folly, by Agatha Christie mild spoiler )

A Case of Murder in Mayfair, by Clara Benson, is a light (though neither funny nor "cozy") mystery set in 1920s London. It's part of a loose series, but I don't think it matters whether you read them in order. (So far, I've read volumes 1, 3, and 2, in that order.)

All that Remains, by Sue Black Read more... )

The Starless Sea by Erin Morgenstern: a weirdly multilayered fantasy story about fiction and fictional characters interacting with real people, and influencing them, often via weird doors into and out of the secondary world (?) of the Starless Sea. It's very good, and I was well into it before I noticed that the book is told in the historical present, with only a few "here is a story being told within the story" sections in past tense.

A Little Light Mischief by Cat Sebastian: an f/f romance novella, set in the late 19th century. One woman is a "companion" to a rich woman who took her in after her brute of a father threw her out, and who is trying to figure out what she's doing and what her patron wants her to do. The other is the patron's maid, who has managed to move from small-scale crime to a legal job that pays better as well as being safer. "Together, they commit crimes."

What I've read recently:

The Glass Universe, by Dava Sobel. This is a history of photographic astronomy using glass plates--photometry, spectral lines, and how the photos they were used to study variable stars--and of the Harvard Observatory and the women who did much of the work. Many of the women were first hired as "computers," doing calculations for (originally only male) astronomers, before starting to do astronomy on their own. The group included Henrietta Swan Leavitt, who figured out the luminosity-distance relationship in Cepheid variables, and thus the distance to the Magellanic Clouds and the Andromeda galaxy; Annie Jump Cannon (of the OBAFGKM star classifcations); and Cecilia Payne Groposchkin, who became the first person of any gender to get a PhD in astronomy from Harvard, with a dissertation showing that our sun is made mostly of hydrogen and helium.

The book is about both the astronomical work, and the lives of the people doing it, including the ways the women involved had to fight to do it, and be recognized for their work, in both the US and Europe. It weaves together several lives, and stories, over more than half a century. One important thread is Mary Anne Palmer (Mrs. Henry) Draper, who dedicated many years, and money, to support and fund the Henry Draper Memorial to carry on her late husband's cataloging work. (All those "HD" star catalog numbers are from that work.)

Tricks for Free, by Seanan McGuire. This is another InCryptid story, this one about/narrated by Antimony Price (younger sister of Verity, who introduced the series). She's on the run from the Covenant, and thus separated from all her living family (though her dead aunts visit occasionally), fighting sorcerers in an amusement park. She has a team of Cryptid allies, her boyfriend Sam comes back (and they decide/declare that they are boyfriend and girlfriend) and everything moves fast. This was fun, but leans significantly on what happened in previous books.

Around the World in Eighty Trees, by Jonathan Drori. Drori gives us eighty brief pieces about eighty trees he finds interesting, either for botanical or cultural reasons--with locations, usually at the level of "Morocco" but sometimes US states, and for ailanthus it's "Brooklyn, USA." Each tree's essay is illustrated with color drawings. The book discusses trees I hadn't known of, and includes some things I hadn't known, or thought about, and is pleasant, mostly restful reading, a few trees at a time. (The articles on some trees sections talk about global warming or near-extinction from overuse). Recommended by [personal profile] mrissa.

White Fragility: Why It's So Hard to Talk about Race, by Robin diAngelo. This is more or less what it says on the tin, from the viewpoint of sociology/activism: why it's difficult for white people to talk about race, and the ways that silence about race maintain white supremacy--and that this is not accidental. DiAngelo offers some suggestions about how white people can talk about race, including both ways to talk to (and sometimes challenge) each other, and ways to listen respectfully and not shut down people of color who are taking about racism. The book looks at both structural racism and microaggressions, and how people (don't) talk about hate crimes. I have this as a library ebook, and may need to buy a copy so I can reread it, and maybe use some of her bibliography. It's shorter, and easier to read, than I'd expected. (Your mileage may vary, either if you're less familiar with sociology and some of the terminology, or if the topic is especially stressful for you.) Note: diAngelo is writing from an American viewpoint, and points out both that other parts of the world will be somewhat different, and that American movies, magazines, music, etc. are part of the environment all over the world.

Current reading:

  • So Far So Good, by Ursula Le Guin (still, I'm dipping into it, a few poems at a time)
  • Quite Enough of Calvin Trillin, a collection of short pieces, including humor and reporting
  • At the Mouth of the River of Bees, short stories by Kij Johnson
redbird: Picture of an indri, a kind of lemur, the word "Look!" (links)
( Jan. 26th, 2015 10:53 am)
Someone at Weather Underground is live-blogging the current (just starting) northeast U.S. snowstorm. In the comments, among the maps and discussions of what models the National Weather Service using, user pegleg666 posted a link to a post-Sandy blog post containing the Cuban poet José Martí's description of the blizzard of 1888 and its aftermath.
redbird: closeup of me drinking tea, in a friend's kitchen (Default)
( Oct. 28th, 2013 09:04 am)
Today's Astronomy Picture of the Day is the Great Comet of 1660; the caption explains the astronomical instruments used.
I grabbed The Nature of New York, An Environmental History of the Empire State, by David Stradling pretty randomly from the "new arrivals" shelf at the library. This isn't natural history, it's a description and discussion of how humans have affected the environment of New York, and vice versa. The author notes that state borders are somewhat arbitrary, especially for a discussion of environment, but that in addition to New York being a somewhat manageable topic for discussion, the borders themselves made a difference, especially starting in the late 19th century: while early white settlers in New York cut trees to make farmland or for lumber in much the same way as settlers elsewhere in the region, reforestation was driven significantly by government policy. The most important canal-building, which made a large difference to the environment and how people interacted with it, was sponsored by the state government. Early conservation legislation was also at the state level, notably under both governors Roosevelt (both took some of those policies to the national level as president).

Another theme of the book is identification with place. That was driven partly by people thinking of themselves as New Yorkers, rather than (or in addition to) as Americans, or as residents of Brooklyn or Albany or Buffalo. Stradling connects this to Hudson River School art, which romanticized American and especially New York landscapes. A lot of this book focuses on the Hudson Valley, both for the obvious bits such as its importance for transport, and as a way to discuss the creation and maintenance of farmland and sources of timber. Early conservation efforts were significantly about saving the appearance of the land: not just the value of wilderness, but of specific scenic areas. Places like Storm King mountain were close enough to New York City to attract the attention and interest of people with the money and influence to push for their preservation.

This is 400 years in one book; if you know about a particular topic, the discussion may feel shallow. But there are already entire books on the Hudson River School, Robert Moses, and Love Canal, and the best place to start with Jane Jacobs is her own writing. Love Canal is traced here from a failed canal-building project, one of many such, through the casual use of abandoned canals as chemical dumps, to the equally casual practice of building on poisoned land, and the wastes seeping out, through citizen activism, to the EPA's Superfund. By the time Stradling had covered that and Brownsville and the epidemic of insurance-driven arson by landlords in the Bronx, I was surprised not to find anything on the failed Shoreham nuclear project, and its effects on Long Island politics.

Conversely, I hadn't known that agriculture in and near New York City that thrived when agriculture further upstate didn't, specifically because of the amount of stuff that needed to be transported within the city, and hence the amount of horse manure available to local farmers as fertilizer. The general overview of city history (I suspect any city) is of agriculture moving further away as cities develop. The occasional book or article mentions horse droppings as a pollutant on city streets, often in terms of "see, the automobile wasn't all bad." But Stradling argues that city farmers didn't just have easy access to markets for their fresh produce, they had the advantage of not having to let their land lie fallow or rotate their crops, an advantage over farmers elsewhere in the state.

Stradling only touches on pre-European habitation here: he's working mostly from written records, when he isn't discussing the visible topography and most recent geology. This choice may also be affected by the common assumption that the earlier human inhabitants of the Americas didn't change the environment much. I don't know how true it is for New York; we're starting to find evidence that it's not at all true in the Amazon basin. That's aside from the point that if the first human settlers wiped out the mastodon, horse, giant ground sloth, and several other species, that will have affected the environment in important ways.
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redbird: Me with a cup of tea, standing in front of a refrigerator (drinking tea in jo's kitchen)
( Apr. 17th, 2011 06:30 pm)
The Musee des Beaux-Arts in Montreal has a special exhibit of "The Warrior Emperor and China's Terracotta Army." It's built around (a small subset of) the burial goods of the first Qin (or Ch'in, if you use the old transliteration) Emperor, which the Chinese have been slowly excavating since the 1970s.

The Qin Emperor had a large tomb complex built, with a variety of grave goods, including many life-size terracotta* soldiers, servants, and entertainers to (we presume) serve him in the afterlife. The model soldiers and horses are impressive; most of the paint has long since worn away or faded, and most of the weapons and such that the emperor had buried with him were looted not long after his death. Thousands of model people remain.

The soldiers have varied and realistic faces, though their bodies are very similar. There was an explanation of how they were built: solid legs, coil-built hollow bodies, and molded heads using several different noses, eyes, etc., which combinatorically gave thousands of different-looking faces. There is speculation about whether some of them were modeled on specific people, a question that is unlikely to ever be answered. Along with soldiers and servants, there were acrobats and other entertainers.

Before the actual terracotta warriors, the exhibit includes a timeline, some bronze bells, a model of the palace (somewhat speculative), wall, floor, and roof tiles, and money from the period. Before the Qin emperor, there were several kingdoms, with money in different shapes (some looked like they could have been fit together like jigsaw pieces, or maybe even tiled the plane). After him, one kingdom, its money in the center of the exhibit, familiar enough that I thought "right, that's what money looks like": coins of that design were money in China for two thousand years.

The central exhibit halls are very well down, with mirrors letting you see all sides of the terracotta warriors and horses.

From there, we got to an impressive crossbow (earlier than I'd thought) and then to the third- and half-size models some of the later emperors used. The models show that at least some of the later emperors had female as well as male infantry; the palace servants included eunuchs. There were, of course, bureaucrats: the emperors were expecting, not a paradise of idle luxury, but a world much like ours, with an economy, armies, and a system of managing it. (The later models are less varied than the first Qin emperor's, but enough to show, or at least strongly suggest, an ethnically mixed army.)

I saw an ad for this exhibit on the metro in December, and decided "yes, I have to see this," because I'd been reading about them for years, and this may be the first time any of the terracotta soldiers have left China. When I landed at Dorval Friday afternoon, I told the immigration and customs people I was here "to visit friends, and there's a museum exhibit I want to see." It was well worth the time, and the $20 entry fee for the special exhibit. (I paid $1.75 Ticketmaster fee to see the Tutankhamen exhibit around 1978, but I think there was some complicated reason why the tickets themselves were free.) The exhibit runs until June 26; if you're going to be in or near Montreal, I recommend it highly. As with any popular exhibit, it's worth going early or on a weekday to avoid some of the crowding. (Tuesday-Friday; half this city is fermi le lundi.)

*a kind of pottery
redbird: Picture of an indri, a kind of lemur, the word "Look!" (indri)
( Mar. 21st, 2011 08:52 pm)
The New York Times has an article on the 200th anniversary of the Manhattan street grid. I hadn't realized, and probably should have, that hundreds of buildings north of Houston Street were either moved or torn down to fit the grid plan. (Greenwich Village was explicitly excluded from the grid, which is obvious on looking at a map or wandering around that part of town.

Less cheerful, the state of the Japanese electrical grid is bad, and unlikely to be fixed in time for summer. The main problem is loss of capacity; a smaller one is that Japan has two incompatible grids, one at 50 Hz and one at 60 Hz, dating back to decisions made in the 1890s. There's a lesson here about excess capacity, and how quickly it can become necessary, which I suspect nobody in North America is going to be allowed to act on. [via [livejournal.com profile] autopope]
redbird: a male cardinal in flight (cardinal)
( Sep. 18th, 2010 07:03 pm)
Thursday night, [personal profile] cattitude and I saw the current Broadway revival of A Little Night Music, starring Bernadette Peters and Elaine Strich (and Alexander Hanson, but it was Strich and Peters that made me want to see this).

It was as good as I'd expected, which is very: I'm a Sondheim fan, but had never seen this show, only listened to the cast album. Sondheim's songs are excellent, but they gain from the context of the rest of the show). I'd wanted to see Elaine Strich act since we saw her one-woman show Elaine Strich at Liberty a couple of years ago, and Bernadette Peters is as good as I'd heard. (I suspect I've seen her before, but I'm not sure.) Her "Send in the Clowns" was almost heart-breaking, as well as technically very good: a bit of my brain was detached enough to notice the skill involved in putting those pauses, as if to catch her breath, in without ever actually losing her place.

We had a very good time; this was worth waiting for. I continue to be impressed that Strich and Peters are the replacement cast; this is the production that originally had Angela Lansbury and Catherine Zeta-Jones. (There aren't enough good roles for older women, or maybe there aren't enough directors and producers willing to put on those plays.)

Strich, as Madame Armfeldt, has only one song to herself, "Liaisons," which she did well. And I caught on one bit of the lyric, and wondered if it was meant as characterization: Mme. Armfeldt, reminiscing about her past, sings about having been the mistress of the King of Belgium. The play is set "at the turn of the last century," or around 1900; the timing suggests that this was likely Leopold II, the infamous creator and ruler of the Congo Free State. The musical is about (heterosexual) romantic/sexual relationships, and there's definitely political text there (for example, Count Carl-Magnus's jealousy and treatment of his wife and his mistress); I don't know whether Sondheim or Hugh Wheeler, who wrote the book, thought about the implications of "In the palace of the king of the Belgians," rather than picking it for scansion. But it sheds a less flattering light Mme. Armfeldt, though I don't know how much the king's mistress would plausibly have known about goings-on in the Congo around 1870. (I can imagine her having learned about it years later, been glad to no longer be involved with him, but also still glad of the villa and money he gave her, and determined to play up the romance or status of a king, any king.

The choreography is also very good, both larger things like the way Frederika is mostly excluded by the adults in the opening waltz, and small things like the way several of the actors mime riding a train or bus (a slight anachronism, perhaps, but it works). The Playbill lists an "associate choreographer," suggesting that at least some of the choreography is from the original Hal Prince production.

[I don't have a lot to say about the play as a play, except that it works; I'm glad not to be anywhere near anything like Count Carl-Magnus's possessiveness and double standards, or in the sort of milieu where that kind of thing is normative; and that I think it's technically a comedy.]
Twenty years ago, I woke up, turned on the radio, and heard “Berliners continue to celebrate in their no-longer-divided city.” That was a pleasant surprise, in an odd way a fine and memorable birthday present.

Google has gone to some trouble to make sure I know that [Bad username or unknown identity: ”bcholmes”] and I also share our birthday with Sesame Street. I’m just old enough that I didn’t learn much from Sesame Street: but I have a younger brother, and I did watch, and I’m still fond of Grover and Kermit, and remember Big Bird and Mr. Snuffleupagus and the Cookie Monster and Miss Piggy and Oscar. Quite a bit later, I watched The Muppet Show. I also have fond memories of The Electric Company, and still give 02134 when a store asks my zip code for demographic purposes.

There are gorgeous purple flowers, mostly roses, on my desk here. *grin*
In response to something [livejournal.com profile] james_nicoll wrote, I said

If you need imports, you need access to something that will buy those imports. Wheat or tin or oil or good woven cloth or machine parts. A Heinlein character observed that the problem with wheat as the basis for a monetary standard isn't lack of value--it's that it's too perishable. But tin or oil are reasonably good in that regard, and in the end, you can't eat the gold.

I am now wondering--and realizing this is a gap in my education--whether pre-Conquest Spain had a strong economy, or whether the convenient "the gold led to centuries of inflation and the decline of the local economy" is closer to "they tried to build a strong economy on conquest, and it didn't work, though some people got rich in the short term."


Can anyone recommend a reasonable English-language history of Spain (or of Europe but covering Spain) for, say, 1400 or so through the Thirty Years' War that covers economics, rather than just kings and wars and adventurers? "Spain" in this case meaning the territory that we now think of as Spain--Iberia minus Portugal. Fine if it also includes Portugal, and discussions of Latin America for that period are a plus.
In response to something [livejournal.com profile] james_nicoll wrote, I said

If you need imports, you need access to something that will buy those imports. Wheat or tin or oil or good woven cloth or machine parts. A Heinlein character observed that the problem with wheat as the basis for a monetary standard isn't lack of value--it's that it's too perishable. But tin or oil are reasonably good in that regard, and in the end, you can't eat the gold.

I am now wondering--and realizing this is a gap in my education--whether pre-Conquest Spain had a strong economy, or whether the convenient "the gold led to centuries of inflation and the decline of the local economy" is closer to "they tried to build a strong economy on conquest, and it didn't work, though some people got rich in the short term."


Can anyone recommend a reasonable English-language history of Spain (or of Europe but covering Spain) for, say, 1400 or so through the Thirty Years' War that covers economics, rather than just kings and wars and adventurers? "Spain" in this case meaning the territory that we now think of as Spain--Iberia minus Portugal. Fine if it also includes Portugal, and discussions of Latin America for that period are a plus.
The headline on this obituary reads Pham Xuan An, spy, reporter. For the last ten years of the Vietnam War, An was Time magazine's chief Vietnamese reporter, and "so well-known for his sources and insight that many Americans who knew him suspected he worked for the CIA." Right game, wrong team: he was a Communist spy.
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The headline on this obituary reads Pham Xuan An, spy, reporter. For the last ten years of the Vietnam War, An was Time magazine's chief Vietnamese reporter, and "so well-known for his sources and insight that many Americans who knew him suspected he worked for the CIA." Right game, wrong team: he was a Communist spy.
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Thanks to a question by [livejournal.com profile] polyfrog, leading to a Wikipedia article <http://en.wikipedia.org/wiki/declarations_of_war_in_the_united_states>, I now know when the peace treaty ending World War II was signed. It's officially the "Treaty on the Final Settlement with Respect to Germany," and may be the last significant thing the German Democratic Republic ever did. The treaty was signed in Moscow in September 1990, a few weeks before the reunification of Germany.

I also found myself wondering why, after a few dozen members of Congress voted against war with Germany in early 1914, only Jeanette Rankin voted against war with Austria-Hungary a few months later. Also why she voted against war with Japan in 1941, but not against war with Germany three days later. The Wikipedia article doesn't list who voted how, so I'm guessing she abstained rather than voting in favor. (Rankin served exactly two terms in Congress; one beginning in 1917, the other beginning in 1941.)

No, this has little to do with anything, except for my general desire to know about everything. I'm already working on it, hence the digression about Rep. Rankin, not mentioned in any of what I read tonight.
Thanks to a question by [livejournal.com profile] polyfrog, leading to a Wikipedia article <http://en.wikipedia.org/wiki/declarations_of_war_in_the_united_states>, I now know when the peace treaty ending World War II was signed. It's officially the "Treaty on the Final Settlement with Respect to Germany," and may be the last significant thing the German Democratic Republic ever did. The treaty was signed in Moscow in September 1990, a few weeks before the reunification of Germany.

I also found myself wondering why, after a few dozen members of Congress voted against war with Germany in early 1914, only Jeanette Rankin voted against war with Austria-Hungary a few months later. Also why she voted against war with Japan in 1941, but not against war with Germany three days later. The Wikipedia article doesn't list who voted how, so I'm guessing she abstained rather than voting in favor. (Rankin served exactly two terms in Congress; one beginning in 1917, the other beginning in 1941.)

No, this has little to do with anything, except for my general desire to know about everything. I'm already working on it, hence the digression about Rep. Rankin, not mentioned in any of what I read tonight.
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