The Musee des Beaux-Arts in Montreal has a special exhibit of "The Warrior Emperor and China's Terracotta Army." It's built around (a small subset of) the burial goods of the first Qin (or Ch'in, if you use the old transliteration) Emperor, which the Chinese have been slowly excavating since the 1970s.
The Qin Emperor had a large tomb complex built, with a variety of grave goods, including many life-size terracotta* soldiers, servants, and entertainers to (we presume) serve him in the afterlife. The model soldiers and horses are impressive; most of the paint has long since worn away or faded, and most of the weapons and such that the emperor had buried with him were looted not long after his death. Thousands of model people remain.
The soldiers have varied and realistic faces, though their bodies are very similar. There was an explanation of how they were built: solid legs, coil-built hollow bodies, and molded heads using several different noses, eyes, etc., which combinatorically gave thousands of different-looking faces. There is speculation about whether some of them were modeled on specific people, a question that is unlikely to ever be answered. Along with soldiers and servants, there were acrobats and other entertainers.
Before the actual terracotta warriors, the exhibit includes a timeline, some bronze bells, a model of the palace (somewhat speculative), wall, floor, and roof tiles, and money from the period. Before the Qin emperor, there were several kingdoms, with money in different shapes (some looked like they could have been fit together like jigsaw pieces, or maybe even tiled the plane). After him, one kingdom, its money in the center of the exhibit, familiar enough that I thought "right, that's what money looks like": coins of that design were money in China for two thousand years.
The central exhibit halls are very well down, with mirrors letting you see all sides of the terracotta warriors and horses.
From there, we got to an impressive crossbow (earlier than I'd thought) and then to the third- and half-size models some of the later emperors used. The models show that at least some of the later emperors had female as well as male infantry; the palace servants included eunuchs. There were, of course, bureaucrats: the emperors were expecting, not a paradise of idle luxury, but a world much like ours, with an economy, armies, and a system of managing it. (The later models are less varied than the first Qin emperor's, but enough to show, or at least strongly suggest, an ethnically mixed army.)
I saw an ad for this exhibit on the metro in December, and decided "yes, I have to see this," because I'd been reading about them for years, and this may be the first time any of the terracotta soldiers have left China. When I landed at Dorval Friday afternoon, I told the immigration and customs people I was here "to visit friends, and there's a museum exhibit I want to see." It was well worth the time, and the $20 entry fee for the special exhibit. (I paid $1.75 Ticketmaster fee to see the Tutankhamen exhibit around 1978, but I think there was some complicated reason why the tickets themselves were free.) The exhibit runs until June 26; if you're going to be in or near Montreal, I recommend it highly. As with any popular exhibit, it's worth going early or on a weekday to avoid some of the crowding. (Tuesday-Friday; half this city is fermi le lundi.)
*a kind of pottery
The Qin Emperor had a large tomb complex built, with a variety of grave goods, including many life-size terracotta* soldiers, servants, and entertainers to (we presume) serve him in the afterlife. The model soldiers and horses are impressive; most of the paint has long since worn away or faded, and most of the weapons and such that the emperor had buried with him were looted not long after his death. Thousands of model people remain.
The soldiers have varied and realistic faces, though their bodies are very similar. There was an explanation of how they were built: solid legs, coil-built hollow bodies, and molded heads using several different noses, eyes, etc., which combinatorically gave thousands of different-looking faces. There is speculation about whether some of them were modeled on specific people, a question that is unlikely to ever be answered. Along with soldiers and servants, there were acrobats and other entertainers.
Before the actual terracotta warriors, the exhibit includes a timeline, some bronze bells, a model of the palace (somewhat speculative), wall, floor, and roof tiles, and money from the period. Before the Qin emperor, there were several kingdoms, with money in different shapes (some looked like they could have been fit together like jigsaw pieces, or maybe even tiled the plane). After him, one kingdom, its money in the center of the exhibit, familiar enough that I thought "right, that's what money looks like": coins of that design were money in China for two thousand years.
The central exhibit halls are very well down, with mirrors letting you see all sides of the terracotta warriors and horses.
From there, we got to an impressive crossbow (earlier than I'd thought) and then to the third- and half-size models some of the later emperors used. The models show that at least some of the later emperors had female as well as male infantry; the palace servants included eunuchs. There were, of course, bureaucrats: the emperors were expecting, not a paradise of idle luxury, but a world much like ours, with an economy, armies, and a system of managing it. (The later models are less varied than the first Qin emperor's, but enough to show, or at least strongly suggest, an ethnically mixed army.)
I saw an ad for this exhibit on the metro in December, and decided "yes, I have to see this," because I'd been reading about them for years, and this may be the first time any of the terracotta soldiers have left China. When I landed at Dorval Friday afternoon, I told the immigration and customs people I was here "to visit friends, and there's a museum exhibit I want to see." It was well worth the time, and the $20 entry fee for the special exhibit. (I paid $1.75 Ticketmaster fee to see the Tutankhamen exhibit around 1978, but I think there was some complicated reason why the tickets themselves were free.) The exhibit runs until June 26; if you're going to be in or near Montreal, I recommend it highly. As with any popular exhibit, it's worth going early or on a weekday to avoid some of the crowding. (Tuesday-Friday; half this city is fermi le lundi.)
*a kind of pottery