Sunday afternoon, I was on a panel about Alison Bechdel's book Fun Home, which by design and in practice discussed the possible reasons for and effects of the book's unexpected acceptance in mainstream contexts as well as the book as book, in terms of structure, content, stylistic choices, and how we (panelists and audience members) had reacted to it. The discussion went into details like the book as artifact, and what that says about support by the publisher; Bechdel's choice to use limited color; the inclusion of quotes from the Western literary canon; the nonlinear, or maybe spiraling narration; and the ways that Bechdel grounds her personal story in what was going on in the world, and how that connects to what she's done over many years in Dykes to Watch Out For.
It was a very good panel. At the end, the moderator asked each of us what we would like to have happen as a consequence (either causal or sequential) of Fun Home success. I came up with something about more cross-fertilization, I don't remember what the next three people said, and then the last panelist, who came at things from a comics background, actually said that she expected to read more by and about lesbians, which she hadn't previously done because she isn't one. I interrupted and said "We read about straight people."
I shouldn't have to be having that interaction at Wiscon, at a panel about a book by Alison Bechdel.
[footnotes: I'm not naming the person who said that because there were two panelists I didn't know, and I'm not sure which it was. Janet Lafler might, but she's not reachable right now. And yes, I'm bisexual rather than exclusively lesbian.]
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Femina sum; humani nihil a me alienum.
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I'm sitting here reading all the panel reports I can get my hands on, and telling myself that if I do a lot of lurking and learning stuff I'll get less ignorant and maybe won't have to lurk so much next year. But someone deliberately avoiding anything written by or about lesbians just because she's straight, that's a bit mind-boggling even for me.
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I'm not so surprised that these interactions occur even at WisCon; however, I've noticed that they occur far less frequently there. I'll take that, for now.
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What I mean is, you might be reading SF/Fantasy for a long time before you even encounter LGBT stuff, if you aren't actively seeking out books by and for the people at WisCon.
Just throwing that out there--I'm not disagreeing at all. Just making a related point.
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Indeed.
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And this kind of outreach is good not just for the scared straight white guys, but also the straight white guys who think they're sensitive or feminist (or non-straight white guys, or non-white straight guys, or etc. including a number of straight women) but could still use a bit more grounding in sensitivity and exposure to certain fundamental ideas and texts to give everyone a bit more of a shared vocabulary (not to mention respect) and in general fewer preconceived assumptions all around.
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"Wiscon needs to do a bit more . . . grounding in sensitivity and exposure to certain fundamental ideas and texts to give everyone a bit more of a shared vocabulary (not to mention respect) and in general fewer preconceived assumptions all around."
I couldn't agree more. please oh please suggest some really good, chewy, 200 and 300 level program topics. and some ToughLove approaches to the 100 level stuff.
your co-chairs, big ol' queers the both of us, will be thrilled to schedule it. more queer stuff,yes. more clueful and chewier conversation about all things progressive, had by queer and straight folks (and so on), yes.
operators are standing by.
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Seriously, though, this was one of my favorite panels. What you said above about weaving together our various approaches is spot on: I think we managed to make an initially pretty narrow topic into a much broader--but still directly topically relevant--discussion.
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It was quite a good book. I think I still prefer Stuck Rubber Baby, which is in the same genre. It was more powerful, I think, and Fun Home struck as kind of flattened in its affect. But Fun Home was very good, and I don't want to make a false dichotomy between the two books. I particularly liked how Bechdel showed the tension between gay and lesbian people, and between old/closeted and new/out generations.
(Hope it's okay I'm posting this here. I haven't really had a chance to talk with anyone about the book since reading it.)
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I think--I'm not certain--that the flattened affect was part of what Bechdel was trying to depict, as an aspect of how her family and upbringing were.