The problem with reading tight, well-edited prose with a good story to tell is that it reminds me of how far I have to go. And then I remind myself that, well, yes, but what I have is an incomplete first-draft.
I'm also a bit boggled by the size of the nonfiction project. Seven to ten pages to cover "early history", including prehistory, the invention of irrigation, early Egypt, and several other things. Yes, it's a review, but this isn't so much skimming the surface as flying over it like the kingfisher, touching down at random and hoping to hit a fish.
If I can write a metaphor like that, I can do this!
I'm also a bit boggled by the size of the nonfiction project. Seven to ten pages to cover "early history", including prehistory, the invention of irrigation, early Egypt, and several other things. Yes, it's a review, but this isn't so much skimming the surface as flying over it like the kingfisher, touching down at random and hoping to hit a fish.
If I can write a metaphor like that, I can do this!
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What is your definition of "well-edited"?
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About editing and copy-editing, I probably shouldn't say anything here, but it seems to me for various reasons that it was significantly less edited at several levels than my other novels. But OK. I'm glad you liked it.
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Indeed. It was a lovely one.